![]() ![]() His rich grandfather won’t help, so she contrives to make out a fake cashier’s cheque and ‘loans’ Kota the money. It turns out he has financial problems after borrowing money from a loan shark for pay for tuition. She lets him take her to a love hotel, and before long they are embroiled in a lusty and playful relationship. Though it is hinted at – but never emphasized – things are dull at home with her distant but genially ambitious husband, and when she meets Kota (Sosuke Ikematsu), the grandson of one of her clients, she is intrigued by his interest in her. ![]() ![]() It is the early 1990s, and Rika Umezawa (Miyazawa) has recently been promoted to a full time position, and cycles around to sell savings schemes to wealthy elderly clients. Likely to feature at other festivals, the film is set to be released in Japan in November. With an almost permanently worried expression on her face, Miyazawa gives a memorable performance that should help see further attention to both her role and the film itself internationally. The film, which world premiered in competition at the Tokyo International Film Festival, pokes gentle fun at the notion of Japan’s ordered, obedient and mannered society, and while running perhaps a little too long its story never dawdles and heads towards a smart ending that leaves you sympathetic to this most gentle and warm-hearted swindler. Lotte Cinema operates 142 theaters in Korea, as well as 40 theatres in Vietnam.An absorbingly subversive Japanese film that delightfully blends drama with moments of almost mischievous fun, Yoshida Daihachi’s Pale Moon ( Kami no Tsuki) is a real delight, given heart, compassion and a real sense of low-key rebellion thanks to Rie Miyazawa’s delightful lead performance as a mid-mannered bank worker and wife who turns to embezzling so she can keep her younger lover happy.Īt the same time her schemes – which allow her to gain real independence (especially since handily her husband has been transferred to China) – give her a profound sense of liberation. Owned by Korea conglomerate Lotte Group, Lotte Cultureworks is the umbrella that houses Lotte Cinema and Lotte Entertainment, a production, distribution and international sales company with credits including Korean hits Along With the Gods and Escape From Mogadishu. We look forward to expanding the exposure of Korean content with other global producers and distributors.” Jung-hwan Kwak, Lotte Cultureworks series division head, said: “We’re honored to be numbered among the participants in the Cannes International Series Festival, which is known for showcasing top-quality content from across the globe. “We look forward to creating compelling stories for audiences around the world.” “Korea is the most exciting and dynamic entertainment market in the world today,” Lotte Cultureworks CEO Byung-hwan Choi said. Each episode will be available for free on Genie TV after broadcast on ENA. Tving will stream episodes on the same evening at 11.30 p.m. Genie TV, an IPTV service operated by major telco KT, will release the first two episodes April 7 for premium members, while ENA will release episodes every Monday and Tuesday at 10 p.m. ![]() The source novel has also been adapted as a Japanese-language movie and TV series. Paramount+ Launches In Korea On CJ's TVingīased on a novel by Japanese writer Kakuta Mitsuyo, the series revolves around a bored housewife who takes on a part-time job at a bank and makes an irreversible choice to embezzle money from rich customers. ![]()
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